The Centre for Fashion Curation website will be down on Tuesday 28 May 2-4pm for essential maintenance. We’ll be back soon!
Thank you, CfFC
Fashioning Inclusion (12 December 2018) brings together a diverse group of researchers and practitioners who show that bodies of all abilities and types can be a site for creative self expression.
The challenges of creating with and for different abilities offer new opportunities for experimentation with materials, technologies and aesthetics which can pioneer true innovation for art, performance, fashion and worn objects. From the iconic personal style of artist Frida Kahlo, as discussed by Curators Claire Wilcox and Circe Henestrosa, to performances with disabled and non- disabled dancers by Candoco Dance Company and inclusive design and material development by LCF students and Alumni, Fashioning Inclusion invites you to challenge pre-conceptions about who can engage with fashion, performance and bodily expression and to explore how these spaces can be further opened to be accessible to all.
The venue has limited step-free access. If you need step-free access to evacuate in an emergency, or have other any access requirements, please let us know. More detailed access information is available on our AccessAble page
The event will include BSL translation and will be live streamed and recorded for access off site.
For details of how to book and how to connect to the live stream please check the e-store link on December 12th
For other CfFC events
On Tuesday 13 November 2018, Professor Amy de la Haye gave a Professorial Platform Lecture entitled Objects of a Passion: Curating, Writing and Teaching as Practice 2014-18. The lecture was organised by themes which had inspired her over the course of her practice. As a Curator, Writer and Co-Director, alongside Judith Clark, of Centre for Fashion Curation at London College of Fashion, Amy also teaches on the MA Fashion Curation.
A recording of the lecture is available on Youtube.
Read the accompanying interactive leaflet Objects of a Passion
Read more about Professor Amy de la Haye’s research here
Read more about the MA Fashion Curation course
Dressing the Self/Other is a reflective piece by Matteo Augello that explores dress performance and re-enactment and their use as research tools and crucial elements in the teaching of fashion history. Augello is a PhD student at the Centre for Fashion Curation at London College of Fashion and a former freelance researcher for the V&A opera exhibition in 2017. Based on a video clip of his performance-lecture on ’The Art of the Prima Donna’, He will start off this interdisciplinary conversation on the topic of dress and performance by discussing some of his work on dress in Italian Opera.
Visit the Crassh page for more information and booking.
Read more about Matteo Augello’s research How Italian fashion is collected, preserved and analysed: unfolding the relationship between scholarship and production in the establishment of fashion collections in Italy, 1995-2015.
More posts from Matteo Augello
Pink: the History of a Punk, Pretty, Powerful Color explores the colour pink and its multitude shades and cultural meanings. Organized by Dr Valerie Steele, Director, The Museum at FIT, Pink interrogates the history, materiality and cultural meanings of a colour that, as the exhibition guide points out, ‘provokes exceptionally strong feelings of both attraction and repulsion.’
This summer, I was invited to take part in The Cloud Project with the Tim Yip Studio which was the closing event for London’s South Bank Centre’s three year long China Changing festival and the result of a year long collaboration between the South Bank and the Chinese-based Tim Yip Studio. A film and stage art director, costume designer and visual artist, Yip is particularly well known for his Academy Award winning work on Ang Lee’s Crouching Tiger Hidden Dragon (2000) but works prolifically for stage and film productions, dance companies, art exhibitions and fashion collaborations.
The Cloud Project with the Tim Yip Studio at the South Bank Centre
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